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Do Kamala Harris’s Neocon Supporters Just Hate Trump, or Is There Something More to Her Appeal?

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WASHINGTON, DC - MAY 12:  Former U.S. Vice President Dick Cheney talks about his wife Lynne Cheney's book "James Madison: A Life Reconsidered" May 12, 2014 in Washington, DC. The Cheneys spoke at the American Enterprise Institute for Public Policy Research.  (Photo by Win McNamee/Getty Images)
Former Vice President Dick Cheney at the American Enterprise Institute on May 12, 2014, in Washington, D.C.
Photo: Win McNamee/Getty Images

The Iraq war — sold on lies and bungled in its prosecution — has become the embodiment of American hubris in the 21st century. Hundreds of thousands died, allies were alienated, and the U.S. became mired in a decadeslong boondoggle that is still unfolding. By 2007, a few years after the war was launched, all but its most diehard proponents had come to see it as the mistake it was.

Today, those same diehard war hawks — the very people who planned and carried out the Iraq invasion — are proudly throwing their full support behind Vice President Kamala Harris in the November presidential election.

Chief among them is former Vice President Dick Cheney. Not far behind are a clutch of other Bush-era figures aligned with the neoconservative movement, like Bill Kristol; former officials like former Attorney General Alberto Gonzales; and staffers for the late former Republican presidential nominee Sen. John McCain, R-Ariz.

Harris is, in turn, embracing her new right-wing fan club, touting endorsements from more than 200 Republican staffers who worked for George W. Bush, McCain, and another former Republican presidential nominee, Sen. Mitt Romney, R-Utah.

Harris is embracing her new right-wing fan club.

“Of course, we have plenty of honest, ideological disagreements with Vice President Harris,” the GOP staffers wrote in a letter. “That’s to be expected. The alternative, however, is simply untenable.”

These hawks say they’re endorsing Harris largely to stop Donald Trump — citing his conduct and “chaotic leadership” — but these prominent conservatives are backing the Democratic nominee because their visions for U.S. foreign policy increasingly appear to be aligned. The Democratic and Republican parties are more unified than ever in their commitment to preserving American hegemony and preventing the multipolar world from emerging.

As vice president, Cheney was one of the principal architects not only of the Iraq War, which left hundreds of thousands of Iraqis dead, but also the U.S.’s worldwide torture regime. The aftershocks of America’s eight-year occupation are still being felt in the region and in our domestic politics to this day. Former Rep. Liz Cheney, R-Wy., who inherited her father’s hawkish views, has also pledged to do whatever she can to elect Harris, including launching a PAC that has raised millions of dollars to boost the Democrat’s campaign.

This marks a departure from the past 20 years of Democratic presidential campaigns, which were built on a repudiation of the Bush administration and its disastrous war in Iraq.

Just 18 months after American troops went into Baghdad, the 2004 Democratic presidential nominee, John Kerry, said that the invasion created “a crisis of historic proportions.” He charged Bush with “stubborn incompetence” over his handling of the war. In 2008, Barack Obama’s opposition to the unpopular war was a major source of his success at the ballot box.

Even in 2016, the repercussions of the Iraq War were a major issue in the Democratic primary. Sen. Bernie Sanders, I-Vt., made his opposition to the war a cornerstone of his platform and repeatedly referenced Hillary Clinton’s vote in favor of it. “I don’t think you are qualified if you have voted for the disastrous war in Iraq,” Sanders said of Clinton.

Now, however, an endorsement from one of the biggest war criminals in recent history is seen as an asset, not a liability.

Harris for Hawks

The Harris campaign isn’t just courting moderates and conservatives as part of a short-term strategy to win the election. Rather, Democrats are actively supporting and spouting neoconservative ideas.

During her keynote address at the Democratic National Convention, Harris vowed: “As commander-in-chief, I will ensure America always has the strongest, most lethal fighting force in the world” — as her party blocked any Palestinian Americans from appearing on the convention stage to speak about Israel’s genocidal war on Gaza.

The party’s 2024 platform also reflects this rightward shift. A section from the 2020 platform on ending forever wars and opposing regime change was completely removed in 2024. The Democratic Party went from calling for an end to U.S. support for Saudi Arabia’s brutal war in Yemen to championing the Biden administration’s plan for a normalization deal between Israel and the Persian Gulf monarchy — a plan that could also put American lives on the line to protect the Saudi dictatorship for decades to come.

Some of the most glaring neocon-coded changes in the platform have to do with Iran policy. This year’s platform attempted to portray Trump as being too soft on Iran, while including no mention of the Trump administration’s assassination of a top Iranian military commander. Though Harris’s national security adviser, Phil Gordon, helped negotiate the 2015 Iran deal, others in her circle have predicted that a Harris administration would not seek to return to the Iran nuclear deal.

It’s not like Trump offers a viable alternative. As recently as the debate this week, Harris and Trump tried to outflank each other on issues like China, immigration, and crime. Trump called Biden a “very bad Palestinian” who doesn’t want to help Israel “finish the job” in Gaza. Both parties are guilty of China-bashing and casting China as an existential threat to the U.S. As president, Trump declared economic war on China, which was then escalated by Biden.

The American people don’t support any of these bloodthirsty policies, but it appears that circles of power in the U.S. are increasingly disconnected from the will of the people. The vast majority of Americans who want the U.S. to pull back and focus on domestic issues are going to be left without any serious option in November. The country, and the world, will pay the price.

The post Do Kamala Harris’s Neocon Supporters Just Hate Trump, or Is There Something More to Her Appeal? appeared first on The Intercept.


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Digest of Recent Articles on Just Security (Sept. 9-13)

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A digest of recent analysis of national security and rights-related news and developments at Just Security.

Israel-Hamas War

Telegram / Data Privacy

Cambodia Trials / Social Media

Africa / Democracy

2024 Presidential Election Interference

Executive Power / US Foreign Policy

International Space Law

Podcast: REAIM Summit

The post Digest of Recent Articles on Just Security (Sept. 9-13) appeared first on Just Security.


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Regulating AI Is Easier Than You Think

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Female engineer inspecting wafer chip in laboratory

Artificial intelligence is poised to deliver tremendous benefits to society. But, as many have pointed out, it could also bring unprecedented new horrors. As a general-purpose technology, the same tools that will advance scientific discovery could also be used to develop cyber, chemical, or biological weapons. Governing AI will require widely sharing its benefits while keeping the most powerful AI out of the hands of bad actors. The good news is that there is already a template on how to do just that.

[time-brightcove not-tgx=”true”]

In the 20th century, nations built international institutions to allow the spread of peaceful nuclear energy but slow nuclear weapons proliferation by controlling access to the raw materials—namely weapons-grade uranium and plutonium—that underpins them. The risk has been managed through international institutions, such as the Nuclear Non-Proliferation Treaty and International Atomic Energy Agency. Today, 32 nations operate nuclear power plants, which collectively provide 10% of the world’s electricity, and only nine countries possess nuclear weapons.

Countries can do something similar for AI today. They can regulate AI from the ground up by controlling access to the highly specialized chips that are needed to train the world’s most advanced AI models. Business leaders and even the U.N. Secretary-General António Guterres have called for an international governance framework for AI similar to that for nuclear technology.

The most advanced AI systems are trained on tens of thousands of highly specialized computer chips. These chips are housed in massive data centers where they churn on data for months to train the most capable AI models. These advanced chips are difficult to produce, the supply chain is tightly controlled, and large numbers of them are needed to train AI models. 

Governments can establish a regulatory regime where only authorized computing providers are able to acquire large numbers of advanced chips in their data centers, and only licensed, trusted AI companies are able to access the computing power needed to train the most capable—and most dangerous—AI models. 

This may seem like a tall order. But only a handful of nations are needed to put this governance regime in place. The specialized computer chips used to train the most advanced AI models are only made in Taiwan. They depend on critical technology from three countries—Japan, the Netherlands, and the U.S. In some cases, a single company holds a monopoly on key elements of the chip production supply chain. The Dutch company ASML is the world’s only producer of extreme ultraviolet lithography machines that are used to make the most cutting-edge chips.

Read More: The 100 Most Influential People in AI 2024

Governments are already taking steps to govern these high-tech chips. The U.S., Japan, and the Netherlands have placed export controls on their chip-making equipment, restricting their sale to China. And the U.S. government has prohibited the sale of the most advanced chips—which are made using U.S. technology—to China. The U.S. government has also proposed requirements for cloud computing providers to know who their foreign customers are and report when a foreign customer is training a large AI model that could be used for cyberattacks. And the U.S. government has begun debating—but not yet put in place—restrictions on the most powerful trained AI models and how widely they can be shared. While some of these restrictions are about geopolitical competition with China, the same tools can be used to govern chips to prevent adversary nations, terrorists, or criminals from using the most powerful AI systems.

The U.S. can work with other nations to build on this foundation to put in place a structure to govern computing hardware across the entire lifecycle of an AI model: chip-making equipment, chips, data centers, training AI models, and the trained models that are the result of this production cycle. 

Japan, the Netherlands, and the U.S. can help lead the creation of a global governance framework that permits these highly specialized chips to only be sold to countries that have established regulatory regimes for governing computing hardware. This would include tracking chips and keeping account of them, knowing who is using them, and ensuring that AI training and deployment is safe and secure.

But global governance of computing hardware can do more than simply keep AI out of the hands of bad actors—it can empower innovators around the world by bridging the divide between computing haves and have nots. Because the computing requirements to train the most advanced AI models are so intense, the industry is moving toward an oligopoly. That kind of concentration of power is not good for society or for business.

Some AI companies have in turn begun publicly releasing their models. This is great for scientific innovation, and it helps level the playing field with Big Tech. But once the AI model is open source, it can be modified by anyone. Guardrails can be quickly stripped away.

The U.S. government has fortunately begun piloting national cloud computing resources as a public good for academics, small businesses, and startups. Powerful AI models could be made accessible through the national cloud, allowing trusted researchers and companies to use them without releasing the models on the internet to everyone, where they could be abused.  

Countries could even come together to build an international resource for global scientific cooperation on AI. Today, 23 nations participate in CERN, the international physics laboratory that operates the world’s most advanced particle accelerator. Nations should do the same for AI, creating a global computing resource for scientists to collaborate on AI safety, empowering scientists around the world.

AI’s potential is enormous. But to unlock AI’s benefits, society will also have to manage its risks. By controlling the physical inputs to AI, nations can securely govern AI and build a foundation for a safe and prosperous future. It’s easier than many think.


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Ivanti Cloud Service Appliance flaw is being actively exploited in the wild

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Ivanti warned that recently patched flaw CVE-2024-8190 in Cloud Service Appliance (CSA) is being actively exploited in the wild.

Ivanti warned that a newly patched vulnerability, tracked as CVE-2024-8190 (CVSS score of 7.2), in its Cloud Service Appliance (CSA) is being actively exploited.

“Following public disclosure, Ivanti has confirmed exploitation of this vulnerability in the wild. At the time of this update, we are aware of a limited number of customers who have been exploited.” reads the update provided by the company on September 13, 2024.

An attacker can trigger this high-severity vulnerability to achieve remote code execution under specific conditions.

“An OS command injection vulnerability in Ivanti Cloud Services Appliance versions 4.6 Patch 518 and before allows a remote authenticated attacker to obtain remote code execution. The attacker must have admin level privileges to exploit this vulnerability.” reads the advisory

“Successful exploitation could lead to unauthorized access to the device running the CSA. Dual-homed CSA configurations with ETH-0 as an internal network, as recommended by Ivanti, are at a significantly reduced risk of exploitation.”

Ivanti released a security update for Ivanti CSA 4.6 to address the vulnerability.

The company note that CSA 4.6 is End-of-Life, and no longer receives updates for OS or third-party libraries. Customers must upgrade to Ivanti CSA 5.0 for continued support, this version is not impacted by this vulnerability.  

The company did not reveal details about the attacks exploiting the CVE-2024-8190 vulnerability.

Recently cybersecurity firm Horizon3.ai published a technical analysis of an Ivanti Endpoint Manager AgentPortal Deserialization of Untrusted Data issue, tracked as CVE-2024-29847, that could allow remote code execution.

Follow me on Twitter: @securityaffairs and Facebook and Mastodon

Pierluigi Paganini

(SecurityAffairs – hacking, Cloud Service Appliance) 


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WATCH: Veep Thoughts With Kamala Harris (Vol. 22)

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Vice President Kamala Harris campaigned in Pennsylvania on Friday, and was forced to go off script when a reporter asked how she was feeling about her prospects in the pivotal swing state. As is often the case, her answer sounded like it was written by ChatGPT:

I am feeling very good about Pennsylvania because there are a lot of people in Pennsylvania who deserve to be seen and heard. That’s why I’m here in Johnstown, and I will be continuing to travel around the state to make sure that I’m listening as much as we are talking, and ultimately I feel very strongly that [you] gotta earn every vote, and that means spending time with folks in the communities where they live, and so that’s why I’m here. We’re going to be spending a lot more time in Pennsylvania.

We were curious, so we asked ChatGPT to answer a similar question from the perspective of a politician campaigning in Pennsylvania. As predicted, the computer’s answer was significantly more substantive and articulate:

In Pennsylvania, my campaign aims to connect deeply with the diverse communities across the state. I hope to address key local issues, such as economic development, infrastructure improvements, and healthcare access, while also emphasizing our shared values of fairness and opportunity. By engaging directly with voters, listening to their concerns, and presenting practical solutions, I want to build a broad coalition of support that reflects Pennsylvania’s rich cultural and economic landscape. Ultimately, my goal is to ensure that every Pennsylvanian feels heard and represented in our vision for the country’s future.

That was probably the last time Harris will talk to reporters before Election Day.

Have a great weekend!

VEEP THOUGHTS ARCHIVE:

WATCH: Veep Thoughts with Kamala Harris (Vol. 21)

WATCH: Veep Thoughts with Kamala Harris (Vol. 20)

WATCH: Veep Thoughts with Kamala Harris (Vol. 19)

WATCH: Veep Thoughts with Kamala Harris (Vol. 18)

WATCH: Veep Thoughts with Kamala Harris (Vol. 17)

WATCH: Veep Thoughts with Kamala Harris (Vol. 16)

WATCH: Veep Thoughts with Kamala Harris (Vol. 15)

WATCH: Veep Thoughts with Kamala Harris (Greatest Hits)

WATCH: Veep Thoughts with Kamala Harris (Vol. 14)

WATCH: Veep Thoughts with Kamala Harris (Vol. 13)

WATCH: Veep Thoughts with Kamala Harris (Vol. 12)

WATCH: Veep Thoughts with Kamala Harris (Vol. 11)

WATCH: Veep Thoughts with Kamala Harris (Vol. 10)

WATCH: Veep Thoughts with Kamala Harris (Vol. 9)

WATCH: Veep Thoughts with Kamala Harris (Africa Edition)

WATCH: Veep Thoughts with Kamala Harris (Vol. 8)

WATCH: Veep Thoughts with Kamala Harris (Vol. 7)

WATCH: Veep Thoughts with Kamala Harris (Vol. 6)

WATCH: Veep Thoughts with Kamala Harris (Vol. 5)

WATCH: Veep Thoughts with Kamala Harris (Vol. 4)

WATCH: Veep Thoughts with Kamala Harris (Vol. 3

WATCH: Veep Thoughts with Kamala Harris (Vol. 2)

WATCH: Veep Thoughts with Kamala Harris (Vol. 1)

The post WATCH: Veep Thoughts With Kamala Harris (Vol. 22) appeared first on .


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GitLab fixed a critical flaw in GitLab CE and GitLab EE

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GitLab addressed multiple vulnerabilities impacting GitLab CE/EE, including a critical pipeline execution issue.

GitLab released security patches for 17 vulnerabilities in GitLab CE (Community Edition) and EE (Enterprise Edition).

One of these vulnerabilities is a critical pipeline execution flaw, tracked as CVE-2024-6678 (CVSS score of 9.9), that could allow an attacker to trigger a pipeline as an arbitrary user under certain circumstances.

“An issue was discovered in GitLab CE/EE affecting all versions starting from 8.14 prior to 17.1.7, starting from 17.2 prior to 17.2.5, and starting from 17.3 prior to 17.3.2, which allows an attacker to trigger a pipeline as an arbitrary user under certain circumstances.” reads the company’s advisory. “It is now mitigated in the latest release and is assigned CVE-2024-6678.

yvvdwf reported the issue to the company through the company bug bounty program operated by HackerOne.

GitLab also fixed a high severity issue, tracked as CVE-2024-8640 (CVSS score of 8.5), in GitLab EE. An attacker can exploit the flaw to inject commands into a connected Cube server.

“An issue has been discovered in GitLab EE affecting all versions starting from 16.11 prior to 17.1.7, from 17.2 prior to 17.2.5, and from 17.3 prior to 17.3.2. Due to incomplete input filtering, it was possible to inject commands into a connected Cube server.” reads the advisory.

joaxcar reported this vulnerability through our HackerOne bug bounty program.

The company also fixed several medium and low-severity vulnerabilities that could lead to protection bypasses, privilege escalation, unauthorized read access to private project source code, GitLab token retrieval, account takeover, and information leaks.

Follow me on Twitter: @securityaffairs and Facebook and Mastodon

Pierluigi Paganini

(SecurityAffairs – hacking, GitLab CE


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Brooklyn police shot allegedly knife-wielding man dead following apartment standoff, NYPD says

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Chaos unfolded on a Brooklyn street Friday after police fatally shot a man who allegedly charged at them with a knife.

Members of the NYPD Warrant Squad entered a home at 478 East 21st St. in Flatbush at around 5:20 p.m. on Sept. 13 where, according to Chief of Department Jeffrey Maddrey, the knife-wielding man confronted them.

Maddrey reported that police had been looking for the man after he was identified as a person of interest in several unsolved homicides during the summer. Thirty-eight-year-old Vilmond Jean Baptiste allegedly did not want to comply with police and instead hunkered down in the bathroom’s tub.

Moments later, authorities said, the man emerged while still carrying a knife and allegedly charged at officers — who then shot him multiple times.

Maddrey reported that police had been looking for the man after he was identified as a person of interest in several unsolved homicides during the summer. Thirty-eight-year-old Vilmond Jean Baptiste allegedly did not want to comply with police and instead hunkered down in the bathroom’s tub.Photo by Lloyd Mitchell
Members of the NYPD Warrant Squad entered a home at 478 East 21st St. in Flatbush at around 5:20 p.m. on Sept. 13 where, according to Chief of Department Jeffrey Maddrey, the knife-wielding man confronted them.Photo by Lloyd Mitchell

 
“They get to a rear bathroom, where they observe a male, fully dressed in hooded sweatshirt, hiding in the bathtub. The members from the warrant squad gave numerous commands to the male. They gave commands to get out of the tub, to show his hands, and then they realized that he was armed with the knife,” Chief Maddrey said. “The sergeant on the scene tried to deploy the taser, but the Taser did not work.”
 
Maddrey declared it was at this time Baptiste allegedly charged at cops, three of whom shot him an indeterminate amount of times. The man was pronounced dead at a hospital a short time later, police said.
 
Lifting a taser, Deputy Commissioner of Operations Kaz Daughtry said that when the shock device did not work the commanding officer on scene attempted deploy it again, and in doing so, came close to being stabbed.

“The sergeant then tried to take out another cartridge to insert into the taser when the suspect came out of the bathroom with a knife and almost attempted to stab our sergeant. The officers were forced to use deadly physical force to take the suspect down,” Daughtry said.

Lifting a taser, Deputy Commissioner of Operations Kaz Daughtry said that when the shock device did not work the commanding officer on scene attempted deploy it again, and in doing so, came close to being stabbed.NYPD on X

Unsure of what had taken place, law enforcement sources said, locals began throwing objects at officers on street level from surrounding apartments, hitting one cop in the head and causing minor injuries. At least one arrest was made.

Baptiste had one prior arrest in 2015 for reckless endangerment but also had an active bench warrant. He was a “strong” person of interest in three deadly stabbings dating back to July in Brooklyn that left left a 54-year-old woman, a 66-year-old woman, and a 24-year-old man dead.

“His MO seems to be he begins to date older women, and then they allow him to reside in his house to use narcotics,” Chief of Detectives Joseph Kenny said.

Police asked the public to avoid the area as the investigation continues. 

The police-involved shooting happened in the wake of an NYPD shakeup Thursday, after Edward Caban resigned the post amid an ongoing federal investigation. Mayor Eric Adams moved quickly to name Tom Donlin the interim commissioner.

The knife recovered at the scene.NYPD on X

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Joanna ‘JoJo’ Levesque Is No Longer Compromising

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For most of the aughts, JoJo was everywhere. After signing her first record deal in 2003, her debut single, “Leave (Get Out),” found its way onto the Billboard charts shortly after its release a year later. By 2006, she had two full-length studio albums under her belt—JoJo and The High Road, which featured her second massive hit, “Too Little Too Late”—and had already starred in two major movies, Aquamarine and RV. The singer, whose full name is Joanna Levesque, toured with Usher, performed at award shows, and appeared frequently on MTV’s Total Request Live. It’s nearly impossible to talk about 2000s pop culture without talking about JoJo.

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But in the midst of her meteoric rise, Levesque’s commercial success came to a screeching halt when disputes at her label, Blackground Records, forced her into musical limbo for nearly a decade. According to Levesque, Blackground was unable to secure a distribution deal, which meant that any plans for releasing another official album with Blackground were off the table indefinitely. She was stuck in artistic purgatory—only able to release music independently—until 2013, when a successful lawsuit against Blackground allowed her to finally leave the label and sign a new deal with Atlantic Records. Her long-awaited third studio album, Mad Love, was released in 2016.

Looking back on the years she spent fighting for her career, Levesque says, “I rarely gave myself time to think or feel.” Now, the 33 year-old is making up for lost time. In her new memoir, Over the Influence, out Sept. 17, she reflects on the events of her personal and professional life with vulnerability and candor. Levesque spares no detail about the substance abuse and other unhealthy behaviors she engaged in to escape the reality of her label troubles, her experiences with addiction, and the lengths she’s gone to find herself as an adult.

“I hope that by sharing my little life so far, other people will maybe take the time to explore their own,” she says. “Because there’s good sh-t in there.”

TIME spoke with Levesque about writing Over The Influence on her own, the joys of sleeping alone, and which art form she plans on conquering next.

TIME: You’re a few days away from being a published author. How are you feeling?

Levesque: That is so crazy! I did not have that on my bingo card for 33, but I’m so happy. I feel a lot of joy, a lot of excitement, and a lot of gratitude that I get to put my story out there into the world. I hope it hits some people in a way that they’re moved by it.

You wrote this memoir entirely on your own. Why was it important for you to do this without a ghostwriter?

I’m a fan of memoir and nonfiction in general, so some of my favorite books are written in collaboration with a ghostwriter or a co-writer. There’s so much to be gained from that expertise, but I just wanted to give myself a shot. My voice is enough. My perspective on things is enough. 

I’d been conditioned from a young age to think I needed to rely on other people to make decisions for me, to help craft my story, or make me into something that was more digestible or acceptable, but I’m no longer chasing that mainstream success. I really want to be myself and be in a community with other people who are on the same journey of trying to shed any layers of confusion and shame they’ve accumulated.

You mentioned in your author’s note that it was a little mortifying to dredge up some of the experiences you were writing about. You included stories about using alcohol and weed to stay intoxicated as often as possible, spending nights out “smooching strangers” in clubs, and even being unfaithful in a former relationship. It felt like I was reading entries from your diary. How did you find the courage to share your stories in this way?

Just by remembering that as human beings, we’re storytellers, and that’s what we’ve always done for as long as we’ve been here. Sometimes there’s this thing within me that’s like, why even share this? Who’s going to care? But I do believe that when we share truthfully and vulnerably, that can unlock some things within ourselves and within other people. And I just had to remind myself that my story is just as worthy of being told as anybody else’s.

What do you hope readers will take away from your experiences with addiction?

I grew up thinking that I would never end up like my parents, who self-identified as addicts. I felt a bit self-righteous about it, like I was stronger than that. But something my dad said when I was maybe 21 stuck with me: “Addiction is like Arnold Schwarzenegger in your backyard pumping iron, just waiting for you. It’s going to come for you.” So one of the things that I wanted to explore—and just something that I like to talk about—is addiction and what it means.

For me, [addiction is] not just one thing. It’s void filling and feeling like you need to get outside yourself to feel OK. It’s trying to introduce other substances, other people, other experiences, validation, food, whatever, because you don’t feel like enough. A lot of times people think that you’re addicted to a substance, but it’s not so cut and dry.

It does feel like the idea of being addicted to sex and love isn’t discussed as often, but you wrote that, at one point in your life, “being desired was like a drug.” What’s your relationship with the need to feel desired or validated today?

I try to check in with myself and see what I’m doing a bit too much of, or where I’m feeling a pull towards something. I just ask myself, why do I feel like I need this? I also took a year off of dating just to really sit with myself. I was so used to having a romantic interest, or having someone to think about, or to text with, or to occupy my time. What happens when I don’t have that? It’s been a really important experience for me, because as much as I thought I liked being alone, I realized that I still did rely on feeling that romantic validation. Taking it off the table has been a good little journey for me. 

I think a lot of people are scared to do that, but it’s really powerful to be able to sit and connect with yourself in that way.

The older I get, I’m less compromising. The older we get, the less appealing random guys are, or random people. The pool gets a little smaller because you’re like, I don’t know if that really resonates. It’s a blessing.

Agreed. If someone’s not going to add any value to my life, what’s the point?

I know. And it feels kind of good to have the whole bed to myself.

I was shocked to read that you were upset with your label’s decision to release “Leave (Get Out)” as your first single. How do you feel about the song now?

I just never saw myself as a pop singer. It sounded really different from the album I was making. If you go back and listen to my first album, it’s influenced heavily by hip-hop and R&B—“Leave” kind of stands as an outlier. So it was just confusing to me, and that set in motion a lot of confusion in my life. But I am grateful beyond words for that song. I was really fortunate to be the vessel for that. And when people started telling me how much they loved the song, then I was like, OK, I was wrong. But it kind of conditioned me to question my own taste and my own gut. 

You re-recorded your first two albums in 2018. The conversation around this practice has become a lot more mainstream, thanks to Taylor Swift announcing in 2019 that she’d be re-recording her discography after a public battle with Scooter Braun over her masters. Billboard reported last year that some labels are now working to make it more difficult for artists to do this—sometimes demanding that they wait up to 30 years after their contract ends to re-record releases. What do you make of that trend?

I’m sad but not surprised to hear that labels would try to do that. My music wasn’t available to stream, so it wasn’t for any reason other than that [that I re-recorded]. We were just trying to come up with a solution because I was tired of not having my music available. I wasn’t sure if it would pay off or if people would think it was silly. But it’s amazing that this is a part of the conversation beyond the music industry now and that fans are interested in some of the business behind it. People are more invested in knowing about what’s going on with their favorite artist.

Do you think all artists should own their masters?

Of course, my answer is yes. It should definitely always go back to the artist. If a label is fronting all the money for something to get made, I know why they think they should own the masters, but things have to change. The music industry as we know it is the Wild West. There’s too much greed.

You wrote about how JoJo was a professional moniker chosen for you by a former producer. At this stage in your life, how do you feel about that nickname?

It’s a part of me. JoJo is a part of my history, and it’s how I was introduced to my fans who have supported me over the years. So I’m totally fine with people calling me JoJo, but where I’m at in my life, I just feel more like Joanna. I’m getting closer to who I was before any of this crazy, cool, confusing experience happened. So I’m embracing all of it. I think of Dwayne “The Rock” Johnson and his long-ass full name, so I’m Joanna “JoJo” Levesque right now.

If what most people know about you is based only on what they know about JoJo, the artist, what do you want people to know about you, Joanna, the person?

That I am allowing myself to have different seasons. As millennials, perfection is what we were sold in the time that we grew up. You needed to be perfect, otherwise you shouldn’t even try. So I’m allowing myself to just try. To just be. To accept that wherever I’m at—that’s good enough.

You’re currently playing the role of Satine in Moulin Rouge! on Broadway. Your circumstances are wildly different, but Satine is a woman whose actions are ultimately being dictated by others. Did you draw on any of your personal experiences when you were first workshopping the character?

It wasn’t much of a stretch for me to play Satine. I think she felt a lot of pressure—pressure that she put on herself or pressure that was real because she was the face of the Moulin Rouge—and she wanted to make sure that everything was going to be OK. She didn’t want anybody to worry about her. She was very strong and very determined to do what she needed to do, and I relate to that. I never wanted anybody to worry about me, even when I was engaging in dangerous behavior or not treating myself kindly, so I can feel her going through that in the show. I have a lot of love and compassion for Satine.

You’ve done everything at this point—music, movies, TV, Broadway, and now a book. Where do you go from here? What’s next for you?

New music soon. Touring. And I want to develop an original musical, so that’s in the works. That’s something I’m really passionate about. I want to produce and be behind the scenes and also originate a role. I’m really, really, really into theater these days. It just makes me feel so alive.

This conversation has been condensed and edited for clarity.


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At Green-Wood Cemetery, victims of 9/11 remembered where they rest

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At Green-Wood Cemetery, Brooklynites remembered loved ones lost on 9/11 where they rest, rather than where they lost their lives. 

More than 100 victims of 9/11 are interred at the cemetery — 78 who lost their lives that day, and dozens more who died from Ground Zero-related illnesses in the years after. As the sun set on Sept. 11, 2024, Brooklynites gathered among the gravestones overlooking the Manhattan skyline. There were no suited-up military or police personnel or politicians, no big speeches. 

9/11 sign at green-wood
A sign bearing the names of 9/11 victims interred at Green-Wood Cemetery. Photo by Kirstyn Brendlen

Musician George Stass sang quiet renditions of “Fire and Rain,” and “Wildflowers,” and “Every Grain of Sand.” When the sky was dark and the Tribute in Light visible against the sky, two Green-Wood staffers stood to read a list of more than 70 names — most of whom are buried at there, some who are not. 

Gabrielle Gatto, coordinator of public programs at Green-Wood, and Theresa Wozunk, a death counselor, worked together to plan the event, a departure from their usual memorials.  

The idea for a quiet evening memorial came to them last year, Wozunk said, and they worked with the 9/11 Museum and Memorial to organize Wednesday’s event, centered around the Tribute in Light. 

“I’ve always thought it would be such a beautiful viewing point, and a really safe space for New Yorkers who don’t feel comfortable going to the museum but want to pay their respects in a way,” Wozunk said. “And what a great, beautiful place to sit and reflect.”

George Stass played guitar and sang at the memorial. Photo by Kirstyn Brendlen
people look at manhattan from Green-Wood Cemetery
The Manhattan skyline from Green-Wood Cemetery. Photo by Kirstyn Brendlen

More than two decades after the attacks, some New Yorkers struggle with big memorials, like the reading of the names of victims at the 9/11 Memorial on the footsteps of the Twin Towers. Gothamist reported that in the last year, only 6% of visitors to the 9/11 Museum were from New York City. Green-Wood wanted to offer those people a peaceful place to grieve together.

The cemetery now serves as a sort of community space, Gatto said, especially since the pandemic, when many Brooklynites found peace and solace walking the grounds. The 9/11 ceremony was an extension of that ethos, a chance for people to grieve different people in different ways. Gatto included her uncle, a former FDNY captain who died in 2016 from 9/11-related cancer, in the list of names. 

“My uncle is not interred here, but we continue to memorialize him in many different ways,” she said. “This can be a place of memorialization for anyone, anyone that needs to grieve and maybe do it in an accessible place that doesn’t have to be so charged, or they just have an area to kind of peel off to.” 

Dozens of Brooklynites settled in on Green-Wood’s hills for the ceremony, some in large groups, others separated in pairs or alone on the grass. A few asked Gatto and Wozunk to include their loved ones’ names in the reading.

Matt Pinner sat on a set of low stairs with his two-year-old daughter. He moved to New York City from Colorado in 2020, and said that while his experience of 9/11 was different from those who lived in the city at the time, he knew he and his family wanted to acknowledge the day in some way — which brought them to Green-Wood. 

“It’s a unifying event, I like ritual and ceremonies and traditions,” he said. “Anything that brings people together, gives you an excuse to go out in the world and be among people. We all grieve together. No one should do that alone.” 

Andrew Schneider attended the ceremony on his own, to support a friend who was playing music there. He moved to New York City in 2003, when the city was still reeling in the aftermath of the attacks. On Sept. 11, 2003, he said, the anniversary had a palpable presence, one that has dissipated somewhat with time. 

He didn’t lose anyone on 9/11, and felt at first like he shouldn’t be there at the memorial. But he wanted to hold space for the people that did, and remember their loved ones with them. 

The memorial felt different, too, because he recently lost his father Elroy. Grieving is a long and complex process, he said, one he just started — but finding a space to grieve collectively felt good.

“I was over here before, I was thinking memorials are so nice because they’re in honor of the people who are no longer with us, but they’re for the people who are still here,” he said. 

Included on the list of names read at Green-Wood on Wednesday were Joseph Agnello, Peter Vega, and Vernon Cherry, three Brooklyn Heights firefighters who were found together and buried side-by-side; and Monique De Jesus, a 29-year-old administrative assistant at Cantor Fitzgerald. 

Schneider said he watched a lot of old videos of his father after he died all on VHS, with the fuzzy quality associated with the medium. The news footage from 9/11 has the same quality, he said. 

“When I hear the names, I picture those people in that media form, like frozen in time, like they didn’t age with us,” he said. “Things got more HD, more crystally-clear. And those memories, they’re not fading, but they take on a different sort of quality because of the medium that they were on.”

tribute in light at green-wood
The Tribute in Light, visible from Green-Wood. Photo by Kirstyn Brendlen

Wozunk also wanted to pay tribute to Green-Wood itself, and the people who worked there during and after 9/11.

“The cemetery itself was integral in 9/11, and what this place has absorbed for various tragedies over the years is monumental,” she said. “The role that our gravediggers played, the role that our president played on that day and the months after, I just think is something to be celebrated and heralded.”

Cemetery workers were faced with the tragedy head on, she said, as they were tasked with laying victims to rest. They grappled with similar circumstances during the pandemic, when thousands were dying from the virus. 

Isaac Feliciano, a now-retired Green-Wood foreman, lost his wife Rosa on 9/11. The smoke and fire were visible from the cemetery. 

“He was here at work and had to see everything and still carry on and make sure he could be there for other families and for his own,” Gatto said. “We call [cemetery workers] last responders … it’s holding space for families, in those very last and final moments.”

Rosa is buried at Green-Wood, and her name was read on Wednesday night. In 2011, Feliciano told the Daily News that he would not visit Ground Zero to remember his wife — he much preferred to honor her at Green-Wood, under the memorial tree he planted for her. 


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St. John’s College reimagined: Historic Bed-Stuy campus to become The Hartby Apartments

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The eye-catching St. John’s College, which takes up a quarter of a block on Lewis Avenue between Willoughby Avenue and Hart Street, will shortly reopen as an apartment complex after an impressive adaptive reuse project converts the campus to residential units.

While the majority of the historic buildings remain unaltered on the exterior, the oldest wing, which ran along Willoughby Avenue, was demolished and is being replaced by a similar new building that has topped out.

housing lottery has recently opened for the entire project, which has taken the address 788 Willoughby Ave. St. John’s College previously had the address of 75 Lewis Ave.

photo of st. john's college in bed-stuy
An existing wing of the campus on the corner of Lewis Avenue and Hart Street. Photo by Susan De Vries
The new wing under construction behind netting at the corner of Willoughby Avenue and Lewis.Photo by Anna Bradley-Smith

The first wing of the Romanesque Revival pile, College Hall, opened in 1870 on the corner of Willoughby and Lewis. The rest of the buildings were in place by 1872. Designed by architect Patrick Keely and built by the Catholic Church, the four- and five-story red brick buildings surrounding a central courtyard are notable for their multicolored slate mansard roofs, arched windows, a round corner tower, a domed cupola, and a two-story-high bay window and entrance canopy on Lewis Avenue. The college relocated to Queens in the 1950s.

Since then, the Bed-Stuy complex has housed an array of religious schools and service organizations, including the New Horizons Adult Education Center. Plans to convert the complex to rental apartments have been in the works since at least 2015, but until recently little seemed to be happening and the property’s future appeared unclear.

Despite its impressive architecture and significance in Bed-Stuy’s history, the campus is not landmarked, meaning the developers could have demolished the entire structure. The decision to adapt the buildings for a new use may have been made because they are already larger than what could have been built under existing zoning. As well, the site was deemed eligible for the National Register in 2020 and therefore could potentially receive tax credits for adaptive reuse through the National Park Service.

A rendering of the new wing. Image courtesy of Woods Bagot
The site in March of 2019. Photo by Susan De Vries

The conversion to apartments was facilitated through a deal between a private developer and the Roman Catholic Church, which still owns the site and the massive stone St. John’s the Baptist Roman Catholic Church next door at 333 Hart St. (The latter is still operating as a church, its online event calendar shows.)

According to city records, the Roman Catholic Church leased the site that includes the college campus but not the church to 75 Lewis Avenue LLC, with signatories Matthew and Frank Linde of Property Resources Corporation (or PRC), in 2018. The documents show the LLC paid $14.193 million for the ground lease, set to expire in 2067. The deal included air rights from the church building so the developers could increase the floor area of the new building, documents show.

The new wing along Willoughby Avenue will have eight stories, and altogether the conversion will create 205 studio, one-, and two-bedroom apartments, according to Department of Buildings permits and the architect’s website. Woods Bagot Architects is behind the design.

Renderings show the new wing will be six stories, not eight, and will closely resemble the one it replaced in coloring, form, and height, although the details will be modern. Its mansard roof, brick color, and window placement match those of the other buildings. Recessed brickwork in a checker pattern will ornament the under-window spaces and corners of the new build. Protruding brickwork will create a striped effect on the lower floors, where a modern entrance canopy will rise two stories.

The Willoughby Avenue side of the site in July of 2022.

A recent visit to the site revealed College Hall has been razed, and the replacement building has topped out. While the new wing is completely covered in scaffolding and netting, some of the brick detailing around the windows is visible.

The remaining administrative building, which sits in the middle of Lewis Avenue, and seminary wing, which runs along Hart Street, have emerged from scaffolding and look as grand as ever. They are, however, still behind a green construction fence.

The signage for Vincentian Fathers is still in place. Photo by Susan De Vries
The college in 1932. Photo by P.L. Sperr via New York Public Library

The housing lottery for the 48 income restricted and rent stabilized apartments in the revamped complex, now dubbed The Hartby, recently opened for households earning 130% of Area Median Income, or $85,543 to $218,010 a year. At that level of AMI, allowed by the 421-a tax program from which the development benefits, rents for lottery units are typically close to market-rate prices. Studios in this lottery go for for $2,495 a month, one-bedrooms for $2,795, and two-bedroom units rent for $3,939.

Renderings show units with mostly white, minimalist, somewhat generic interiors, enlivened with interesting historic features. These include rounded corners and bays with windows, a wood-paneled wall surrounding a large round window, and arched windows.

Floor plans show a 409-square-foot studio, 526-square-foot one-bedroom, and 855-square-foot two-bedroom. Building amenities include a roof terrace, parking, electric car charging stations, an attended lobby, business center, gym, party room, shared laundry room, bike storage, and dog washing station.

The complex is set to open sometime this fall.

This story first appeared on Brooklyn Paper’s sister site Brownstoner.


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